I've been getting into metal like Neurosis and Zeni Geva a ton again of late -- Through Silver in Blood absoutely deserves its reputation; I have no clue how I preferred Isis to this. Leaves me shaking like Relationship of Command era ATDI.
I also went through a bunch of music on/adjacent to an old Japanese techno label called Syzygy -- Web - The EVA EP is wonderful, off-kilter stuff especially for the mid 90s and the only thing I'm bothering to link. Other than that, I listened to a bunch of Bladee and completely burned myself out on him (thankfully).
I seem to be at an impasse with drone/ambient/whatever -- I guess everything pales next to Sahko 030.
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Yeah, it's frustrating. I try to prioritize the other active places I still have access to, but people often just don't put meaningful things there anymore.
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I started Persona 2: Innocent Sin, and so far I don't understand how this is treated as a black sheep next to 3 and 4* -- everything is orders of magnitude better. The "visual novel" and supernatural/plot-focused/dungeon crawling sides of P4 especially feel dissonant in comparison, like each half is embarassed of the other. P2's music is better, the art style has a bit more mainline Shin Megami Tensei DNA, and there's less stupid voice acting -- overall I'm enjoying myself.
*this may not be a completely accurate impression, but almost no one talks about the first two games, and there's always this sense they're irredeemably ~dated~ or whatever when they do
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Had a pretty vivid, wide-ranging dream, but I all I can remember is a Minish Cap-esque Zelda with a dungeon that consisted of a huge tower with a forest inside and a smaller tower at the center. I wish that design existed now -- it looked quite fun.
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There's also some interesting, louder FSA stuff on New Lands, if you have the inclination for more. I'd highly recommend going through ATDI's albums -- it's incredible music, and despite how...suspect a lot of TMV's lyrics are the writing on everything from like...1998-2000 is some of my favorite of any emo. Acrobatic Tenement has some beautiful moments too -- especially Skips on the Record/Paid Vacation Time. They were an incredible band live -- look up the shows in Celle and at Kona Lanes (and obviously that PA schoolhouse there are 50 billion reposts of) if you're interested in that. Sadly their worsening heroin/cocaine abuse is evident in a good few of the Relationship of Command-era shows, but there are exceptions and plenty from before that.
Nothing of note to report on my end except some trashy UKG here and there. Hate being this busy... A friend did manage to get me a bit into Tim Hecker, whose music never engaged me much previously. Trade Winds, White Noise is pretty good.
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Posted on 06-29-19 04:46:24 PM, in Genre staples (last edited by hydra-calm at 06-29-19 04:55:38 PM)
The drive to explore is the only reason I progressed in a lot of games as a kid. Golden Sun in particular was great at motivating exploration -- better than a lot of similar JRPGs, IMO. I guess that means I agree with Ran here mostly? The open-world thing rings true as well -- if the different parts of the world you're exploring are indistinguishable and the density/variety of significant objects/terrain/whatever is very low (things like TWW's sea that are barren areas separating very dense ones bother me less), then exploration isn't very rewarding.
That tangent aside, I think genres are inevitable with any media like this -- people's efforts are going to attract people w/ similar ideas, all the nastier parts of the medium asideI do agree there are a lot of disappointingly derivative works each time someone has a halfway original idea though, e.g. the huge pile of Yume Nikki clones. Yume Nikki specifically is a pretty sore point for me, actually -- "2D game focused on exploration w/ passive storytelling, almost no dialogue, and surreal art style" is a pretty loose category, but the majority of what people seem to have made after/in reaction to it just amounts to a shitty YN "expansion pack" without half the atmosphere of the original game.
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Originally posted by Mistralnot directly related to music ive been listening to lately but
how d'you (speaking generally, not abt anyone in particular)
make stuff like music feel like, really good and enjoyable?
like the way it used to feel when i found new music
it made me rly happy and feel good idk
i guess im asking how to undo years of depression
and also the feeling of numbness that comes with years of like,
experiencing things and running out of new things to experience
is it drugs? do i just gotta (responsibly) do drugs?
For me it's about having some kind of experience to transmute with it, I think -- even something else fictional. I don't know of a good example I'm comfortable with sharing here, but hopefully it's clear what I mean... not that adult life gives too much meaningful to work with. I am pretty sympathetic toward what a lot of people would call self-indulgence here -- I don't think what music is "meant to say" matters all that much usually, but how it combines with what you're already experiencing.
There are a lot of songs to me that are symbols of awful things I've experienced or am still experiencing -- having some kind of artificial structure and narrative to impose on them lets me convert them into some other form [I'd say tractable here but that makes it feel like the direct goal is some "outcome" in the real world, which is bullshit]. There's a lot of recent music I feel is about expression through almost ritual performance of things everyone involved knows are false in themselves...
I have no idea if I got any of this across, and I hope it doesn't come across as self-important. It's just how I've dealt with things for 10+ years and why I'm scared of losing my appreciation for music (and art in general, honestly)...
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I think people underrate the importance of stuff like this. I don't mind you venting about it at all.
Morphogenesis - Solarisation. Relatively dense, atmospheric EAI. Not sure if I like this one or Stromatolites better yet.
Bod - Recurrence of Infections. I didn't like this on first pass, but ended up obsessed with Infection Supplement over the past couple of days.
Kevin Drumm - Second. This is probably one of the emptiest-sounding Kevin Drumm albums. We Both Liked the View is incredible.
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Not a lot to say atm, but I'll list these anyways:
-Mika Vainio - Kajo. I think what struck me most, other than the textural beauty of it, is how well he seems to know when to repeat a sound and when to leave something behind.
-Mkwaju Ensemble - Ki-Motion. I forgot about this for ages, but realized I loved it again today.
-Haruomi Hosono - Muji Original BGM.
-Ghostride the Drift - Ghostride the Drift. Pulled this out again after removing some shitty hidden EQ settings on Rockbox and I'm struck by how palpable the sense of decay is. A lot of albums have tried for similar, but I think this pulls it off much better. The part 5-some minutes into A1 where it starting cutting out is dizzying. Wish people would try tricks like this more. There are a lot of "bad" rips of different tracks on Youtube I prefer to the original -- one of ESB - Terrium, which has a jarring skip every few seconds, and a very noisy rip of Vatican Shadow - Shadow War in Yemen in which one channel is almost completely fucked and blasting static.
Also sadly a pile of random Bladee tracks -- Carwash (Die By the Sword) is going to be lodged in my head for at least a week.
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I don't know -- I was never happy back -then- either. I and the friends I had back then lived how we did to escape. I found all the shit people have half-ironic nostalgia for now exhausting. All our old methods of escape are mainstream or drying up because they didn't make someone money now. Even if there's not a lot to trust in it, the future's really all I have. I don't want to stop changing as a person; the idea is terrifying. It feels like the modern reality of "adulthood" and "adult" attitudes is largely a product of trauma and repression, though trying to articulate this long-form would be difficult for me to do well at the moment. I don't want to harden into something like that if I can avoid it, though just surviving seems to make it very easy.
This is a tangent, but one thing in particular that scares me is how attitudes toward the body have changed in friends my age. Some of the ideas that succeeded in pulling me away from Christianity as a kid and encouraging me to find space of my own were attractive partially because they promised a kind of decoupling from the body -- now the idea seems to be simply "repair" or "modification". I don't know where I'm going with this, but I think it's emblematic of what scares me, somehow.
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Originally posted by Rambly- my last laptop was literally falling apart. like the screen was coming off and a bunch of keys were missing.
- so, i got a macbook pro (sorry)
- (it's the 2012 model that still has upgradeable RAM if it's any consolation, aka the last good macbook ever made)
- i'm really enjoying using it (sorry sorry sorry). it doesn't have an HDMI port and you have to buy some dumb thunderbolt adapter (boo) but the keyboard feels really nice and it just feels good to use and i've never gotten to use OS X in an actual good environment (aka without dicking around with clover configs and SDSTs and kexts for 5 billion years) until now so even that's kind of a new experience
at least i'll probably get to use it until september 2020 since catalina's supposedly still going to support this macbook. if they drop it or drop intel entirely i'll probably quit my little apple phase and go back to windows forever
or linux
maybe linux...
I always did covet these a bit in HS -- probably wouldn't be my thing now, but they look like heaven compared to modern Apple, honestly. Actual ports, fairly durable construction, nice keyboard with decent travel and no flex, etc.
Pursuant to the topic, I bought a bunch of oolong and a new cheapo ($5) gaiwan to have some reliable caffeine at work and finally give wuyi a half-proper shot. Should be here by friday.
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Daisuke Tobari - Guitar. Lo-fi JP folk album -- I usually dislike this sort of thing, but there's a certain atmosphere to this that makes it an exception...
Basic Channel - Q-loop. No explanation needed.
Exael - Collex. Excellent, vaguely Vladislav Delay-esque glitch/ambient/techno. The cover art (essentially a smashed headlight) is one of the most beautiful photos I've ever seen.
Bladee - Vanilla Sky. Too cute for me to feel even a little guilty.
U2415 is my main monitor. The lightbleed and lack of bezel are frustrating, as are the touch controls, but the display is definitely the nicest I've ever had otherwise.
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Lately I've not found a lot of new things that appeal to me, but I did go back and get Vladislav Delay - Multila in much better quality. It's even better than I remember -- I haven't listened to it heavily since HS. Nothing else Ripatti did has the decaying, claustrophobic, aquatic feeling of tracks like Viite and there's absurd amounts of texture to pick out. Exhausted and burned out often lately, so albums that give off this feeling of isolation are wonderful.
Maizena - Strange Worries isn't bad either, specifically the first track (sadly there's another half this upload cuts off...). A lot of what these Help/Regelbau people put out sounds generic and anodyne on first listen, but there's something else I can't quite define that always seems to surface after a few listens, especially with the Maizena/C.K. aliases.
Erika Casier - Essentials is some pretty decent R&B, especially in the last half. Same people involved as above.
Tried a lot else, but none of it's really clicking.
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I've been going very, very heavy into Chain Reaction (90s dub techno label) again. Substance - Session Elements especially. That guy on RYM complaining about the bass on Cr/Relish Bonus just makes me love it more. Probably one of the most strident, rhythm-focused albums on Chain Reaction. I want a full album with 20 of the minute-long "element" tracks...
Next thing is Calcifer - Take My Love. Not sure how to classify this really, maybe some weird descendent of grime. Bought it outright earlier.
I've also been going through Coil's discography. Most of it hasn't stuck, but The Remote Viewer is exactly the kind of monolithic, repetitive thing I grew up loving and I grabbed it immediately after hearing the first track.
Bunch of random Regelbau EPs. Doublethink (Danse Mix) and Juli are quite nice.
The Sonora Pine - II is the first slowcore I've enjoyed in a while. Much more complex melodically than most slowcore, and much better-integred use of violin -- not just as some kind of emotional wallpaper. I think they had some ex-Rodan/June of 44 members for a bit, but shed them after the first album. Cloister is particularly beautiful and has that open, aimless, wind-swept feeling I somehow associate with the period of time it was released in.
I'll add links later I guess.
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So just since I feel like it (probably because I'm procrastinating writing a presentation)...
I finished everything but the last 10 episodes of HxH2011 a while back. The show is stellar through the material covered by 2001 (Yorknew, Kurapika's main arc) -- I would one thousand times recommend that portion of the show to someone who didn't like shounen over Jojo or whatever other gimmicky trash -- it's well-written, all of the main characters are easy to empathize with and have motivations that make sense, the over-the-top stuff doesn't feel like the focus or emphasis of the show, etc... I can't say this about the two "newer" arcs, Greed Island and Chimera Ant, though.
Chimera Ant seems to be really well-liked by fans of the show -- it's pretty long and elaborate, and gives the main characters (and their relationships to each other) a fair bit of development. Greed Island just feels like a warmup for it. The mangaka, Yoshihiro Togashi, took ages to write it -- apparently it was still ongoing when the arc was starting in 2011. The problem is that this seems to be indicative that he didn't know what the hell to do with it, rather than of careful execution or attention to detail. The tone's a bit darker and there are a lot of things introduced initially that seem pretty promising. The problem is that each time it builds something that would have been an interesting vehicle for exploration of the main characters of the arc (Gon/Killua) or of the antagonists, it has a nasty tendency to either reel it in or just tear it down wholesale. There are multiple times when you see someone devastated one episode and then magically recovered within a couple more after events that should have had a permanent impact... A lot of plot elements with no previous bearing on the story are dragged in to facilitate the ending, too.
I'd really only advise bothering with anything in HxH past the Yorknew arc if you're really attached to the main characters (as I was). It's a shame, honestly...